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Oskar Böhme and his Concert in E minor, Op. 18 for trumpet
Vasilová, Martina ; REJLEK, Vladimír (advisor) ; ROUČEK, Jaroslav (referee)
As a main object of my bachelor thesis I choosed problematics of the Oscar Böhme´s Concerto and his forgotten life. I devide my thesis into five chapters, in which I deal with family of Oscar Böhme and with his studies, which is interesting for present generation of trumpetists. In following parts I deal with his composer bequest, less known work, but even with his key compositions. In the fourth chapter I deal with interpretative difficulty of Böhme´s concerto and with a fact, why has been Böhme´s concerto, originally premiered on cornet á pistons, since certain time performed on B trumpet in f minor key. In the last chapter,
I deal with frequency of performances of Böhme´s concerto in our time, it means rediscovery of the concerto at nowaday´s generation of trumpetists.
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Trumpet in the baroque period
Štainerová, Veronika ; ROUČEK, Jaroslav (advisor) ; DIVOKÝ, Zdeněk (referee)
The main goal of this thesis was to process and complete the information about trumpeters of the baroque period that worked or were born in the Czech lands and to prepare a list of those the most important.
Further, this thesis dealt with salaries and the standard of living of Czech trumpeters which give insight into the world of artists of that period. The thesis views those conditions also in the context of different workplaces of the musicians performing both profane and sacred music.
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Paul Hindemith - Sonata for Trumpet and Piano
Kovařík, Lubomír ; REJLEK, Vladimír (advisor) ; ROUČEK, Jaroslav (referee)
This thesis describes Sonata for Trumpet in B and Piano from Paul Hindemith, German composer of the 20th century. The first part of the work is concentrated on life and musical development of the composer. The second part tries to analyse the sonata itself. Style of the sonata is briefly presented and connection with the other Hindemith?s compositions is explained. The sonata is then analysed from the formal, the expressive and the content point of view.
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